. ' Released: December 14, 1992. ' Released: August 3, 1993.
' Released: January 31, 1994. ' Released: February 22, 1994 Enter the Wu-Tang (36 Chambers) is the debut studio album by the American group, released November 9, 1993, on and distributed through. Recording sessions for the album took place during 1992 to 1993 at Firehouse Studio in, and it was mastered. The album's title originates from the martial arts film (1978). The group's de facto leader produced the album entirely, utilizing gritty, eerie and a sound largely based on martial-arts movie clips and samples. The distinctive sound of Enter the Wu-Tang (36 Chambers) created a blueprint for during the 1990s and helped return New York City hip hop to national prominence. Its sound also became greatly influential in modern hip hop production, while the group members' explicit, humorous, and lyrics have served as a template for many subsequent hip hop records.
Serving as a landmark record in the era of hip hop known as the, its influence helped lead the way for several other East Coast hip hop artists, including, and. Despite its raw, underground sound, the album had surprising chart success, peaking at #41 on the US chart, selling 30,000 copies in the 1st week. By 1995, it was certified by the and has sold over 2 million copies in the United States. Initially receiving positive reviews from most music critics, Enter the Wu-Tang (36 Chambers) is widely regarded as one of the most significant albums of the 1990s, as well as one of the greatest hip hop albums ever.
Contents. Background and recording In the late 1980s, cousins, and formed a group named Force of the Imperial Master, also known as the. Each member recorded under an alias: Grice as The Genius, Diggs as Prince Rakeem or The Scientist, and Jones as The Specialist.
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The group never signed to a major label, but caught the attention of the New York rap scene and was recognized by rapper. By 1991, The Genius and Prince Rakeem were signed to separate record labels.
The Genius released (1991) on and Prince Rakeem released (1991) on. Both were soon dropped by their labels. Embittered but unbowed, they took on new monikers (The Genius became while Prince Rakeem became ) and refocused their efforts. RZA discussed the matter in their release (2005), stating 'Tommy Boy made the decision to sign over us. When they dropped me, I was thinking, 'Damn, they chose a bunch of whiteboy shit over me.' ' RZA began collaborating with Dennis Coles, later known as, another rapper from the apartment complex in.
The duo decided to create a hip hop group whose ethos would be a blend of ' picked up from, watered-down preaching picked up on the New York streets, and comic books.' Enter the Wu-Tang (36 Chambers) was recorded at Firehouse Studio in from 1992 to 1993. The album was produced, mixed, arranged, and programmed by RZA, and was at in New York City by Chris Gehringer. Because of an extremely limited budget, the group was only able to record in a small, inexpensive studio; with up to eight of the nine Wu-Tang members in the studio at once, the quarters were frequently crowded. To decide who appeared on each song, RZA forced the Wu-Tang rappers to with each other.
This competition led to the track 'Meth Vs. Chef', a battle between and over the rights to rap over RZA's beat; this track was left off the Wu-Tang Clan's debut album but surfaced on Method Man's debut, (1994). Title significance According to a philosophy, known to adherents as the Supreme Mathematics, the number 9 means 'to bring into existence,' and the group was made of nine members, each of whom has four chambers of the heart, which results in the '36 Chambers', being the total of the nine hearts of the members.
In reference to the 1978 film that the group enjoyed watching, the Clan considered themselves as lyrical masters of the 36 chambers, and arrived onto the rap scene while appearing to be ahead, and more advanced over others, with ' knowledge of 36 chambers of hip hop music when everyone else in hip hop was striving to attain the knowledge of 35 lessons.' Also, while the human body has 108 (1 + 0 + 8 = 9), only the Wu-Tang martial artists learned and understood that 36 of those pressure points are deadly (9 + 36 = 45) (4 + 5 = 9) The lyrics and rhymes of the 9 members are to be considered as 36 deadly lyrical techniques for pressure points. All of this is the basis for the album title, Enter the Wu-Tang (36 Chambers), being that 9 members x 4 chambers = 36. However, this is just a theory; the true significance of the title is not definitively known. Music and lyrics Production Group leader RZA produced Enter the Wu-Tang (36 Chambers) by creating sonic collages from classic soul and clips from movies such as (1981).
He complemented the rappers' performances with 'lean, menacing beats that evoked their gritty, urban surroundings more effectively than their words,' according to Stephen Thomas Erlewine of Allmusic. The use of soul samples and various esoteric clips, and the technique by which RZA employed them in his beats was unique and largely unprecedented in hip-hop. The gritty sound of Enter the Wu-Tang is due, at least in part, to the use of cheap equipment to produce the album.
Many critics argue that the minimalist means of production plays directly into the appealing 'street' quality that makes the album a classic, including Ben Yew, who stated, 'Because RZA didn't have the best mixing or recording equipment, the album is wrought with a 'dirty' quality—the drums have more bass and are more hard-hitting than they are crisp and clean; the samples have an eerie, almost haunting type of echo; and the vocals, because each member's voice is already aggressive and gritty, perfectly match the production.' Although is given co-production credit on 'Da Mystery of Chessboxin' and Method Man is co-credited for 'Wu-Tang Clan Ain't Nuthing ta F' Wit,' critics and admirers universally credit RZA with developing a 'dusty yet digital production style that helped legitimize the use of more diverse sample sources to the hardcore New York rap massive, breaking away from based beats and embracing a style that turned the theme into the menacing coda for a group of underground terrorists.'
One of two songs to feature a single member of the group on the verses , ' has become one of Wu-Tang Clan's most popular and most recognizable songs. A remix version of the song also appears on Method Man's debut solo album.
Problems playing this file? Enter the Wu-Tang ushered in a new standard for hip-hop at a time when hip hop music was dominated by the styles of, the viewpoints of, and the rising popularity of. The album's explicit, humorous and lyrics have been credited for serving as a template for many subsequent hip hop records. Described the album as possessing an aesthetic that was 'low on hype and production values and high on the idea that indigence is a central part of blackness.'
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While the lyrical content on Enter the Wu-Tang generally varies from rapper to rapper, the basic themes are the same—urban life, martial arts movies, comic book references, and —and the setting is invariably the harsh environment of New York City. The lyrics have a universally dark tone and seem at times to be simply aggressive cries. Contributor Steve Huey praises the lyricists for their originality and, stating 'Some were outsized, theatrical personalities, others were cerebral storytellers and lyrical technicians, but each had his own distinctive style. Every track on Enter the Wu-Tang is packed with fresh, inventive rhymes, which are filled with martial arts metaphors, pop culture references (everything from Voltron to Lucky Charms cereal commercials to Barbra Streisand's 'The Way We Were'), bizarre threats of violence, and a truly twisted sense of humor.' With the exception of 'Method Man' and GZA's 'Clan in da Front', every song features multiple rappers contributing verses of varying lengths.
Enter The Wu-tang 36 Chambers Remastered
The verses are essentially battle rhymes, mixed with humor and outsized tales of urban violence and drug use. There is some debate about whether the lyrics on 36 Chambers are properly classified as gangsta rap or something else entirely. In a review, writer Gavin Mueller evokes the bleakness of the Wu-Tang: The lyrics reach back to New York's own: dense battle rhymes potent with metaphors. Each Wu MC links his rhymes to crime and violence, allowing his preoccupations to surface subtly and indirectly, rather than spouting off overt gangsta-isms designed to shock. The hood imagery of the lyrics is utterly pervasive and uncompromising, immersing the listener in a foreign land smack in the middle of New York. There is no celebration here, and little hope.
— Gavin Mueller All nine original Wu-Tang Clan members contribute vocals on Enter the Wu-Tang. Only appears on one track, contributing the last verse of 'Da Mystery of Chessboxin,' but all the other rappers appear on at least two songs. Method Man and Raekwon are the most prolific of the group, featured on eight tracks. Though the performers have widely differing techniques, the chemistry between them is a key ingredient of the album's success. Asserts that 'Half the charm is in the cast's idiosyncrasies: ODB's hovering sing-song, Raekwon's fake stutter, Ghostface's verbal tics, Method Man's hazy, dusted voice.' The debut single is a posse cut produced by RZA, and features eight of the original Wu-Tang members; a sample of first two verses by Raekwon and Inspectah Deck.
Problems playing this file? ' and 'Tearz' were the first tracks recorded by the Wu-Tang Clan. 'Protect Ya Neck' is a free-associative and braggadocious featuring eight of the nine Wu-Tang members, and 'Tearz' tells stories of a little kid getting shot (RZA's little brother), and another one who contracts after having unprotected sex. They were independently released as the 'Protect Ya Neck'/'After the Laughter Comes Tears' single, which financed by demanding $100 from each rapper who wanted a verse on the. The single was re-released in a much larger pressing, with ' as the. 'Method Man' reached number 69 on the and number 17 on the Billboard chart.
'Method Man' gained significant airplay partly for its catchy refrain, which copies the refrain of ' ' ('The M-E-T-H-O-D. ', featuring Raekwon and, was the second single from the album and the first new A-side to be released after the group signed with Loud/RCA.
![Enter Enter](/uploads/1/2/3/7/123737256/140952021.jpg)
Its lyrics deal with the struggle of poverty and the desire to earn money by any means. It was the Wu-Tang Clan's most successful single, reaching number 60 on the and number 8 on the Hot Rap Tracks chart. The single topped the chart.
'Can It Be All So Simple', featuring Ghostface Killah and Raekwon, was the album's third single. The single failed to chart on the Billboard Hot 100 but reached number 24 on the Hot Rap Tracks chart in 1994. A of the song was included on Raekwon's debut solo album (1995). The group made music videos for the three A-sides and for 'Method Man', 'Da Mystery of Chessboxin', and 'Wu-Tang Clan Ain't Nuthing ta Fuck Wit'.
As the group's profile increased, the quality of their videos improved; though the 'Protect Ya Neck' video resembled a home movie, later videos were directed by rising hip-hop music video director. The videos received almost no airplay on but were extremely popular on video-by-request channels such as. Wrote in his 1993 review that 'in Brooklyn, N.Y., right now and extending back a few months, the reigning fave is the Wu-Tang Clan, who are to the channel what are to MTV.' Critical reception Professional ratings Review scores Source Rating A− A 8/10 4.5/5 5/5 Upon its release, Enter the Wu-Tang (36 Chambers) received rave reviews from most music critics. In an article for, The Ghetto Communicator wrote 'This record is harsh, but so is the world that we live in. For B-boys n'girls who come from the core of the hard, this is the hip-hop album you've been waiting for'. Rolling Stone's review was decidedly ambivalent, praising the album's sound, but noting that 'Wu-Tang.
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Are more ciphers than masterful creations. In refusing to commodify themselves, they leave blank the ultimate canvas—the self.' Entertainment Weekly was more enthusiastic, giving the album an A, and writing that 'With its rumble jumble of drumbeats, peppered with occasional piano plunking, Enter has a raw, pass-the-mike flavor we haven't heard since rap was pop's best-kept secret.' Declared of the album, that 'This is hip-hop you won't find creeping up the Billboard charts but you will hear booming out of Jeep stereos in all the right neighborhoods.' However, Enter the Wu-Tang had surprising chart success, despite its raw, underground sound. It peaked at number 41 on the Billboard 200 chart and reached number eight on Billboard 's chart. The album continued to sell steadily and was eventually certified by the on May 15, 1995.
Over time, Enter the Wu-Tang became one of the most highly regarded albums in hip hop. The album was originally given a rating of 4.5 mics out of 5 in The Source magazine in 1994; however, it was given a classic 5 mic rating in a later issue of the magazine. Similar to The Source, magazine gave the album a classic rating of 'XXL' in its retrospective 2007 issue. In the book (1995), Enter the Wu-Tang (36 Chambers) has a critical rating of 8/10 from.
In 2003, Rolling Stone named the album among the ', asserting that 'East-coast hip-hop made a return in 1993.' The magazine later listed it as one of the 'Essential Albums of the 90s' and '100 Best Debut Albums of All Time.' The Source cited Enter the Wu-Tang as one of the '100 Best Rap Albums', while also naming 'Protect Ya Neck/Method Man' and 'C.R.E.A.M.' Among the '100 Best Rap Singles'. MTV declared it among 'The Greatest Hip-Hop Albums of All Time', while Blender named the album among the '500 CDs You Must Own'. Oliver Wang, author of Classic Material: The Hip-Hop Album Guide described it 'as timeless an album as hip-hop has ever seen.'
Publications based outside of the United States have acclaimed 36 Chambers as well; Australia's Juice magazine placed it at number 40 on its list of '100 Greatest Albums of the '90s', and ranked it number 59 on a list of 'The 100 Best Albums 1986–1996'. In naming Enter the Wu-Tang one of the 50 best albums of the 1990s, staff member summed up the album's critical recognition by writing: This is the sound of accidental fame. Something as unique and unusual as this record isn't supposed to find itself at the height of commercial viability; it's supposed to smolder underground, hidden from the view of mainstream America, who surely would not be ready for such a challenge. But America was ready, in part because this one challenged convention, not listeners.
Sure, its sloppy drum programming, bizarre song structures, and unpolished sound quality disturbed commercial rap purists, but the talent was so inherent and obvious, and the charisma so undeniable, that it propelled the Wu-Tang Clan to the height of the rap game, and today stands not just as the hip-hop classic that introduced the concept of obscure thematic characters (each member's name references old kung-fu movies), but also bridged the gap between traditional old-school sensibilities and the technical lyricism of today. In a retrospective review, found the Wu-Tang Clan 'grander' and 'goofier' than their West Coast contemporaries and concluded, 'Expect the masterwork this album's reputation suggests and you'll probably be disappointed—it will speak directly only to indigenous hip hoppers. Expect a glorious human mess, as opposed to the ominous platinum product of their opposite numbers, and you'll realize the dope game isn't everyone's dead-end street'. In 2010, Enter the Wu-Tang (36 Chambers) was included in the book. Legacy and influence East Coast hip hop Enter the Wu-Tang (36 Chambers) is one of the most influential albums in.
Adam Heimlich of the considers the album a touchstone of, a gritty, stripped-down, dark and violent subgenre of hip hop and the signature sound of 's rap scene during the mid-1990s. He writes that 'the Wu-Tang Clan. All but invented 90s New York rap, back when the notion of an East Coast gangsta still meant. They designed the manner and style in which New York artists would address what and had made rap's hottest topics: drugs and violence.' As the album helped return New York City hip hop to national prominence, a new generation of New York rappers, many of them inspired by the Wu-Tang Clan's example, released a flurry of classic albums that later became known as the.
Enter the Wu-Tang has been recognized by critics as a landmark album in the movement. Indicates that the success of the album paved the way for, and. At the time of the album's release, mainstream hip hop was dominated. Enter the Wu-Tang (along with the critically acclaimed Illmatic and the commercial success of Ready to Die) was able to shift the emphasis away from the melodious, -driven and restore interest into the East Coast hip hop scene. According to one columnist, 'When Enter the Wu-Tang: The 36 Chambers first graced the pages of rap lore in 1993, 's funk-filled, West Coast gangster rap dominated the business. Though this initial dominance was difficult to overcome, Wu-Tang still managed to carve out a piece of rap history.'
Hip hop production 's production on Wu-Tang Clan's debut album had a profound and significant influence on subsequent hip hop producers. The distinctive sound of Enter the Wu-Tang has been credited with creating a blueprint for hardcore hip hop in the mid-1990s. Blackfilm.com asserts that Enter the Wu-Tang's production formula 'transformed the sound of underground rap into mainstream formula, and virtually changed the face of contemporary music as popsters once knew it.'
Many successful rap producers have admitted to the influence of RZA's beats on their own production efforts., a producer and former member of, is one of many whose vocal sampling styles are inspired by RZA. The album's reliance on soul music samples was novel at the time, but 21st-century producers such as, and now rely on this technique. According to Allmusic, the production on two albums, and (1996), are 'indebted' to RZA's early production with Wu-Tang Clan. Subsequent Wu-Tang work Following Enter the Wu-Tang 's success, the individual members of the group negotiated and signed solo contracts with a variety of different labels: Method Man signed with, Ol' Dirty Bastard with, GZA with, and Ghostface Killah with.
This expansion across the music industry was an element of RZA's stated plan for industry-wide domination, wherein 'All Wu releases are deemed to be 50 percent partnerships with Wu-Tang Productions and each Wu member with solo deal must contribute 20 percent of their earnings back to Wu-Tang Productions, a fund for all Wu members.' On Enter the Wu-Tang 's effect on the group and the music industry, the 's Aaron Justin-Szopinski wrote 'The Wu showed us that a hip-hop group can control its own destiny in the tangled web of the industry. It owns publishing rights, controls its samples and has 90% influence over its career.
And that control, that outlook for the future, is what makes it the best.' Wu-Tang Clan have produced four subsequent group albums since Enter the Wu-Tang, including (1997), which is certified as a quadruple platinum record. None of the subsequent Wu-Tang Clan albums have garnered the critical accolades that their debut was accorded. In 2013, the group reunited, at the behest of RZA, for an album and tour celebrating the 20th anniversary of the album 's release.
The album was titled A Better Tomorrow and the tour included dates throughout the United States, Europe, and Russia. All original members of the group who performed on Enter the Wu-Tang participated in both the tour and reunion album, excepting Ol' Dirty Bastard, who died in 2004. Track listing CD Tracks 1–5 are on the Shaolin Sword side of the album and tracks 6–12 are on the Wu-Tang Sword side. Paul Grein (April 3, 2014). ^ Cowie, Del F. Archived from on April 28, 2005. Retrieved November 6, 2006.
Archived from on May 15, 2006. Retrieved December 26, 2006. ^ Pfeifle, Sam. Archived from on October 17, 2015. Retrieved November 12, 2015.
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Erlewine, Stephen Thomas. Retrieved October 7, 2006. Archived from on November 18, 2006. Retrieved November 7, 2006. ^ Juon, Steve (April 17, 2001). Retrieved November 12, 2015. ^ Yew, Ben.
Africa Resource Center. Archived from on April 13, 2005. Retrieved November 12, 2015. ^ Pemberton, Rolie. Archived from on November 12, 2006. Retrieved December 14, 2006. ^ Heimlich, Adam.
The: Volume 15, Issue 4. Archived from on January 29, 2002. Retrieved April 1, 2006. ^ Huey, Steve. Retrieved September 18, 2009. ^ (April 7, 1994). Archived from on October 2, 2007.
Retrieved June 21, 2012. Mueller, Gavin. Retrieved October 21, 2006. Retrieved October 6, 2006.
Enter The Wu-tang 36 Chambers Remastered
Ward, Jacob. Retrieved December 27, 2006. Abdul-Adil, Jaleel (February 13, 1994). Retrieved January 13, 2017. (Subscription required ( help)). ^ Bernard, James (December 17, 1993). Retrieved September 18, 2009., pp. 887–88.
^, pp. 437–38. ^ Ghetto Communicator, The (February 1994).
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Retrieved October 4, 2013. Retrieved November 21, 2006. Retrieved November 21, 2006. Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Retrieved November 17, 2006. Archived from on January 6, 2007.
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Retrieved January 1, 2007. Huey, Steve. Retrieved January 1, 2007. Justin-Szopinski, Justin.: January 12, 1995. Archived from on June 26, 2007. Retrieved October 15, 2006. Kurtz, Mike.
![Chambers Chambers](/uploads/1/2/3/7/123737256/804294945.jpg)
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References.
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